I have a phone in my pocket that does what I need it to do in a way that works for me. It is more of a reality today than it was for Marie. My parents have always told me that, too. “Marie’s father told her she could achieve anything she wanted to achieve. “We are different based on circumstance,” she said in an interview conducted prior to the SAG-AFTRA strike. Though, Loberti notes that she and her character are not the same person. That’s the aspect of the show's authenticity that I'm most proud of.” I would never know that if I wasn't on set every day with these performers who were themselves blind. “I am really proud of the fact that in this portrayal of Marie-Laure, a character that I fell in love with on the page and had the privilege of bringing onto the screen, the details of her behavior are the result of the real thing, whether it's how she walks through a cobblestone street with a cane, or how she navigates an interior domestic space. “That was surprising and often different than the tropes and cliches of how sighted actors have portrayed blindness,” Levy says. “And that means including details that might surprise people.” That meant that almost every day, Aria Mia Loberti, who stars in the series as Marie-Laure LeBlanc, would explain something to her colleagues about living without eyesight. “I wanted the representation of that world in that time to be authentic just as I wanted the representation of this protagonist who is blind to be authentic,” he says. DOANE GREGORY/NETFLIXĪuthenticity didn’t only matter to Levy when it came to the details of décor and uniforms, however. Levy with actor Louis Hofmann, who plays the soldier Werner Pfennig, in All the Light We Cannot See, streaming now on Netflix. “I tried to fill our show with as many of those granular little details as possible.” “All of these little details were so revelatory and inspiring to me,” Levy says. It also involved me watching hours of documentary footage and reviewing photography of that time, all of which showed me the scale of this war, these invasions, and assaults.”Īll of this research impacted the art direction of the series, the director says, informing everything from costumes to the faded wallpaper on the wall of a French apartment and the sound of metal-topped German military boots on pavement. “In the case of All the Light We Cannot See, that meant a team who educated me and gave me more fluency in history than I had going in. “On everything I've ever directed, my first move is to surround myself with people who make me better,” Levy says. That meant working with a team of creatives in production design, cinematography, costumes, hair, and makeup who did more than just create a world for the screen but researched the one that existed off it as well. “Many of the events portrayed in both the book and the show are historic and real: The bombing of Saint-Malo to liberate that part of France from the German occupation, the invasion of Paris by the Nazis, and the mass exodus that took place as a result, these are real events and I needed to honor them with similitude in the design of this show,” Levy, who filmed the series in Budapest and France, says. The series, which is based on a lauded novel but also uses real life for inspiration, is streaming now on Netflix. So, in order to make the series, Levy-who’s previously directed projects ranging from Stranger Things to Night at the Museum-had to find a way to tell a fictional story that felt as real as the world in which it needed to exist.Īll the Light We Cannot See director Shawn Levy, at left, with actor Hugh Laurie. “When I had a chance to pursue the rights, I was driven largely by the way the book captivated me by being both epic and super intimate the backdrop of World War II was rich and cinematic in scope and there was an opportunity to build a world that is no more, but which did once exist.” “I read and adored this book long before I knew I'd get to make it,” says Shawn Levy, who directed, wrote, and produced the series. In fact, the way that the story-about a young, blind girl in Nazi-occupied France who flees Paris (precious jewel in tow) for the walled city of Saint-Malo and finds herself unexpectedly involved with a German soldier-is told relies on the fact that many of the places and events it depicts are all too true. All the Light We Cannot See, the new, four-part series streaming now on Netflix, is based on Anthony Doerr’s Pulitzer Prize-winning novel, but that doesn’t mean it exists in a world that’s devoid of reality.
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However, for oily skin also, if this is set with a good powder, it doesn’t become greasy. Because my skin is extremely dry, it makes me more inclined towards cream based product. Also, ladies with sensitive skin must try this product. I have used this product a lot and till now I haven’t noticed any breakouts. Moreover, stay time can be increased for up to 8 hours by using a compact to set again after a couple of hours. I feel it’s less but that’s true with most of the cream based products. I must say it is not an deep orange as the LA Girl’s orange corrector, but it is perfect for beauties with not so deep dark circles.įinally, the stay power for this palette is around 6 hours. Also burnt coral is perfect to hide dark circles as orange corrector. Rich yellow works well as highlight shade. I use NC40 as concealer and NW43 as the contour shade. Regarding pigmentation, it is well pigmented. Price of MAC Pro Conceal and Correct Palette Ingredients of MAC Conceal & Correct Palette Medium Deep The last step is to apply a sheer foundation over your enter face to unify your complexion.Use a damp sponge to blend outward, and then use a stamping motion to dissolve the concealer into the skin.Apply with your ring finger directly on affected areas like under eye, around nose, etc.How to use MAC Conceal & Correct Palette Medium Deep Helps to correct skin tone and conceal dark circles, blemishes, moles, tattoos and birthmarks. Enriched with antioxidants and suited for all skin types, they can be used individually or combined to match any skin tone.Įmollient-based formula delivers medium to full buildable coverage in a natural finish. Claims for MAC Conceal & Correct Palette Medium DeepĪ palette with four concealers and two corrector shades to match any skin toneĪ professional palette of four concealers and two corrector shades in a medium-deep colour wave. It has resonated through time in famous logos like Vogue and Calvin Klein, and is a great font to consider for mainstream fashion brands.Īs you’ll see below, Bodoni has a lot in common with the Didot family of typefaces because it was created around the same time in history. Regardless, the Bodoni typeface has its own style.Ĭonsider this logo font for fashion industries that are pushing the extremes on the runway!įind out more about the font Bodoni here. Giambattista Bodoni took that experiment to an extreme, creating this dramatic font. The Bodoni typeface surfaced during a time when typeface designers were experimenting with the contrast between thick and thin type characteristics. Here are the 61 top logo fonts everyone should know: Learn more about selecting a font for your brand here.
Words: Erin Pophal / Photography: Simon Brubaker for our Definitive guide to Chicago’s best record shops Rare and recommended titles are marked as such, and time seems to fly when digging through the vast and fairly priced stock. Each new record has a stickered staff review worthy of your attention, and labels from far and wide are more than adequately represented. In store shows have included the likes of Circuit Des Yeux’s Hayley Fohr, Jack White, and Wild Belle. With a massive selection on Milwaukee Avenue, their curated wall of staff picks is a lesson in music appreciation that never ends.Īs an institution Reckless has been a strong presence in the Chicago music scene for the past two decades. Originally a London standalone, Reckless expanded to Chicago’s iconic Wicker Park neighborhood in 1988. What’s the story? The Mecca of Chicago record stores. Phone: 77.Location: 1379 N Milwaukee Avenue, Chicago, IL 60622 About half of the merchandise is 50 percent off, and there's furniture for sale in the basement, too.ĭollar Buster, 1379 N. Signs in the window of Dollar Buster promote a "Wall-to-Wall Sell Off" and "Everything must go."ĭollar Buster sells kitchen, bath and party supplies, as well as items for baby showers and birthdays. Milwaukee Ave., is advertising a going-out-of-business sale and plans to close "in mid-March or sooner," a worker said. Meanwhile, Dollar Buster, a general merchandise store currently at 1379 N. Including its basement, the building offers 15,000 square feet of retail space over three levels, and Reckless Records is not planning to divide it, Taylor confirmed. Their current space is much smaller," Kishtow said. "We are happy that staying in the neighborhood. Reckless Records opened in Wicker Park in 1994. "Landlords closer to the North/Milwaukee intersection are now looking to rent to the larger chains, which means that the area will become less interesting and as you go further south it will become more interesting," Taylor said. Last February, Joseph Dushey from New York City-based Jenel Management added several Wicker Park buildings to his portfolio, including the building where Wicker Park's Reckless Records resides. Smith said there is at least one year remaining on Reckless Records' current lease. Taylor also could not elaborate on the precise plans but said, "One thing I'm sure of: It will be the most amazing record store in Chicago!" Though the plan is to relocate the store down the block, Smith said it's "still up in the air on timeline and how soon we will give up this space." Mark Kishtow, senior vice president of Jameson Real Estate, which sold the building to Taylor, said Reckless Records was planning to use the vintage ads, including a marquee sign which they "loved from day one."įounded in 1982, the independently owned record store chain has operated in Chicago since 1988 and has shops in Wicker Park, Lakeview and Downtown.īryan Smith, general manager of Reckless Records' Chicago stores, said "we're excited." An ad from 1971 advertises an Electrophonic "nine-piece total music system with 8-track stereo" for sale at Aronson for $169.95. "They'll be easier to organize with the extra space," Taylor said of the in-store performances.įaded signs advertising name brands like Hitachi and Electrophonic have remained on the building's facade. Taylor said the the size of the building and location were the main attractions for the shop, which will initially just be for selling LPs, CDs and DVDs, though there will be plenty of in-store performances. Milwaukee Ave., the building, constructed in 1913, was previously home to Aronson Furniture, which sold appliances and home stereo systems. About two blocks south of Reckless Records' existing storefront at 1532 N. If we think that posting on Instagram the picture get resized to 1350px on the long side, we understand how in most cases it is almost impossible to zoom in to notice the finest details on these social network’s posts. I think the choice was due about the usual destination of smartphone photographs: social networks. Let’s say that the path taken by Apple in this case was to privilege a clean file over a file with more details. On the one hand, therefore, it facilitates the subsequent work for a novice user, on the other hand, however, there is a lack of general sharpness when we zoom in on the photograph a lot: we will notice that all the details are “washed out”, which is typical files that have been “excessively” cleaned of digital noise. What we get is therefore an already clean file without any digital noise. The third photo was edited with Capture One Pro.Īt the moment the way chosen by Apple for the ProRaw is to process out the Noise Reduction directly in the calculation phase with computational photography. Then I worked directly in the iPhone Photo editor (which at the moment is one of the best solutions for editing Apple ProRaw photos for free) and you can see how much information I was able to recover in the shadows! (second photo) This information is present in the file and it’s there for you to be recovered! The result of the photo obtained is what you see below on the left. So I did an exposure for the lights (that’s what I recommend you do almost always with Apple ProRaw). In the background appears an iconic palace of the city: the bell tower of Arnolfo di Palazzo Vecchio. I wanted to do a test in a very difficult lighting situation: take a picture in an alley on a street in Florence where, due to its narrow shape, little light enters at the time I was take this picture. Now, thanks to Apple ProRaw, all this information is available to the user even in post production. So imagine that when you expose the photograph with your iPhone, the smartphone actually makes a lot of exposures which it then merges together. This is where the new computational photography algorithms such as Smart HDR come into play. We cannot therefore expect, in high contrast situations, to have the same “vision” as our eye (which in any case remains unique, photography is always a personal interpretation). In the current state of sensor technology there is a limit of recording information obtainable with a single click. One of the biggest “disappointments” on the part of my students in photography classes is noticing a big difference between what they see with their eyes, in a high contrast situation, and what the camera captures. The greater the dynamic range, the greater the chance to have both shadow detail and highlight detail in a shot. Dynamic range is the ability to record information from shadows to highlights. What will not change between the free and paid versions of the application is the inability to place a standard on the amount of time needed to download content. If users pay for the software, then they are able to exceed that numerical limit to download any playlist they please. While the downloading opportunities with 4K Video Downloader are abundant, easy, and safe, the free application can only support downloads with a maximum of 24 videos or audio pieces. The application reigns the ability to include 4k in the name because of the software’s commitment to converting content into files with high resolution. Whether users are downloading the 4k Video Downloader for PC, Mac, or Linux devices, the software is available to convert videos, videos to audio, Instagram pictures, and pictures into slideshows. Video and audio files can be directly transferred into iTunes. Users can transfer the files that have been converted and downloaded to iPhone, iPad, Android, Galaxy Edge, HD TV, and other devices. 4K videos download to accurately interact with 360-degree content users can place the mouse on areas of the video they wish to explore to see the panoramic and 360-degree views.ĭownload 4K Video Downloader on the Apple macOS, Microsoft Windows, or Ubuntu operating systems. To enable the 3D feature, users can choose the 3D icon within the formats option. The free video downloader parses streaming sessions from gaming platforms: Twitch and YouTube Gaming.ĤK Video Downloader converts 3D videos into files for devices. The free 4K Downloader offers options to download videos into files from an extensive list of websites and applications: Dailymotion, Facebook, Flickr, MetaCafe, Soundcloud, Tumblr, Twitch, Vimeo, VEVO, Vine, and YouTube. Given that the free version of 4K Video Downloader can process multiple videos at once promotes the practicality of the application above the YTD Video Downloader. While YTD Video Downloader is another video download application option, only the paid version can download multiple videos at once, and the software is only available for Microsoft Windows operating systems. If users desire to parse multiple videos in a succinct amount of time, then 4K Video Downloader is a reliable resource. 4K Video Downloader allows users an ad-free experience to safely convert a single video or a playlist of multiple videos into virus-free files. Alternative sites that do not require a software download to convert videos have the risk of having harmful pop-ups ads, and of being illegal. Or order by yourself through the web, it is very convenient. * * * For looking for a birthday cake or a delicious cake shop. It is a type of cake that focuses on simplicity, clean design and often decorated with a minimalist aesthetic. Its understated design and focus on the cake itself make it a popular choice for a variety of occasions. □️ how to pre-order and pick up at the branch.Ģ️⃣ Press Pre-Order Icons Simple Order via Webģ️⃣ Pick a Day / Pick a Branch / Pick a Time to Get a CakeĨ️⃣ will receive a letter confirming the order, and then pick it up according to the selected branch date, name, order number or number □. A minimalist cake is a beautiful and sophisticated option for those who appreciate the beauty of simplicity. A six-by-three-inch cake goes for P950, while an eight-by-three-inch cake goes for P1,200, and you can request your favorite colors for your own Korean-style cake. And most importantly, there are many branches. This Quezon City-based cake maker crafts aesthetically pleasing cakes with minimalist yet impactful designs. Pour it into a Bundt pan to bake, then drizzle with melted chocolate chips. You take a box of devil's food cake mix, add a box of pudding mix plus sour cream, milk, oil, water and eggs. This cake is super cute, minimalist, cute, affordable. This pantry cake proves that good things can come in small packages. 25 Dazzling Aesthetic Cakes To Make For Your Next Event Experience the beauty and artistry of aesthetic cakes. If you aren't positive that your amplifier can handle four-ohm speakers, make sure you stick with a matching impedance, which is often listed on the back of the receiver. Higher-end A/V receivers may support four-ohm speakers, but this isn't something you'll see in lower-end models. When youre looking at loudspeakers across the board in the market, almost all modern models are using 4 ohms, because thats the way you get the best use out. That said, as A/V receivers continue to increase channel counts for home theater systems, we're seeing fewer and fewer with this setting. Other amplifiers have a switch built-in, usually on the back, that enables you to choose various impedance settings. You'll encounter some receivers, especially more expensive models, that are fixed but can handle 100 watts at eight ohms or, for example, 200 watts at four ohms. Earn 60.00 back in Bonus Bucks on this purchase when you use your Sweetwater Credit Card without financing. 5 reviews Write your review Item ID: SV212. 140-watt, 8-ohm, 2x12' Closed-back Extension Cabinet with Celestion G12 V-Type Speaker. Many stereos and A/V receivers are fixed and are only meant to be used with speakers of the same impedance. SV212 Studio Vintage 140-watt 2x12' Vertical Extension Cabinet. Related: Home Theater Wiring: What Are All Those Connections? That said, you'll most commonly see eight ohms used these days. The vast majority of amplifiers and speakers you see for consumer use like home stereos or home theater systems come in four, six, or eight ohms. In others, the amplifier will attempt to pump out enough current to match the resistance of the speaker, which is lower than its own, and damage itself in the process. 15' Replacement PA Speaker, 600W at 8 Ohms, 35Hz-3kHz Frequency Response, with Cast Aluminum Chassis and Glass-loaded Paper Cone. This is like pouring a one-liter bottle of water into a pipe capable of handling far more at a given time. Celestion FTR15-4080F 15-inch 600-watt Cast Chassis Replacement Speaker. In this case, the amplifier can't provide enough current because the resistance is lower than its own. The amplifier isn't going to attempt to pump out more than the speaker can handle.īut what happens when you have a mismatch? Say you've got an eight-ohm amplifier but a four-ohm speaker. Related: Audio Channels: How Many Do You Need for a Home Theater?Īssuming that the amplifier and speaker are rated at the same resistance of eight ohms, everything works as it should. You can pump all the water you want into that pipe, but at a certain point, no more water can flow through that pipe. One thing's for sure, I'm learning a lot here.Again, if you think of an audio signal coming from an amplifier like water pouring out of a spout, you can think of a speaker as a pipe. Am I getting more or less wattage, etc.? Is the amp working harder or less? Why have I always heard it was wrong to do this and why the warning? Publisher: Home & Studio Recording - Music Maker Publications (UK), Future Publishing. Now my question is why? Why is the 8 ohm tap providing better results for a speaker that is 4 ohm? Also, what is technically happening to the amp (my Dynaco ST-70) by using the 4 ohm or the 8 ohm. Bi-Amp Stereo Graphic Equaliser Quad 303 Monitor Amp Solavox TK60. Thank you very much for this tip and also a good demo piece to "hear" for myself. 5 Core Speaker 15 Inch Bookshelf Studio Speakers 200W RMS 8 Ohm Durable Speaker Cabinet W 3' Voice Coil Premium Passive Loudspeaker 15x1 200DX. I'm leaving the speakers feed from the 8 ohm tap (gee). I also listened to some other sources with both channels during the evaluation. Hi I bought a Marshall MX212A cabinet which comes with 2x Celestion Seventy Eighty speakers, 16 ohm each speaker, with parallel wiring (2x 16ohm speakers 8ohm load). The 4 Ohm tap use seemed a bit bland in comparason (kind of squeezed and not going anywhere/dificult to explain). Each bass note had a nice roundedness to it compared to the 4 ohm tap which lacked the same kind of "life"/lack of dynamics (especially when the drum bit comes after the instrumental). Kali Audios Lone Pine Series studio monitors are designed to allow you to hear every detail thats happening in your mix. The bass & drums were a lot tighter/more defined and it had more punch. For example, matching 4 ohms with 16 ohms sounds unrealistic and would result in an overheated amp if it’s not designed to handle big loads. The problem comes in when trying to match speakers with a huge difference. Okay, I spent two hours listening to 'I Feel Fine' (drums/bass side) and it does sound better on the 8 ohm tap. Intermixing 6-ohm and 8-ohm speakers shouldn’t be a problem because the range isn’t too much. Like many makers, he started out as a performer. One of Butler’s loyal suppliers over the decades has been Jeremy West, who makes cornetts and serpents. Really they should sell for 30 or 40 thousand, but he can’t sell them for more than 10 thousand.” We deal with a retired head of woodwork at a school who makes spinets, a keyboard instrument like a small harpsichord, and he can only make two a year. But really this is not a business you can get rich in. His wife said, go on buy the serpent, so he did. “I had one customer who’d saved £10,000 and the choice was either a new bathroom or a serpent. They sell either to professionals, or to people who just have a passion. “There are certain instruments people just love to see in the showroom, like the serpent and the hurdy-gurdy and the theorbo.” But are they actually affordable? “You can buy some instruments, such as an entry-level recorder or lute for several hundred, but with a richly decorated keyboard instrument with a complicated technology and rare woods you can pay many thousands. “Switzerland and Germany are strong on recorders, harpsichords we buy from Italy and the UK and America,” says Butler.īutler admits his business trades on the alluring oddity of these instruments. But the biggest concentration of makers is in Europe, and within that, there are regional biases. He has a specialist supplier of bow resin in Australia, and a workshop making lutes in Pakistan. Butler buys from makers in every continent except Africa. In response, a world-wide niche craft industry has grown up. When they do, they fetch astronomical prices – last year a 17 th-century harpsichord by the great Dutch maker Ruckers was sold at auction in the UK for £180,000.Īnother problem is that these old instruments need endless maintenance and are too fragile to be moved around. The few surviving ancient harpsichords and lutes and crumhorns are locked up in museums and rarely come onto the market. The reason is that there is a real need for these instruments which the supply of genuinely old instruments can’t satisfy. So there’s a whole generation of makers coming to the end of their careers, but fortunately there are plenty of younger ones coming up.”īutler describes his business as “niche” but some might find it incredible that it exists at all. This created a surge of interest, and lots of instrument makers started their careers as a result. “Munrow was this incredibly gifted musician who could actually play most of these instruments. “Setting up this business was really made possible by one man, David Munrow, who almost single-handedly created a passion for “early music” back in the 1970s,” says Butler. The proprietor at Snape, Chris Butler, has been in this unlikely business for half a century. In the UK the marketplace where many of them bring their wares is the Early Music Shop, which has two walk-in stores, one at a UNESCO world-heritage site in Saltaire in Yorkshire, the other at Snape Maltings. Incredible though it may seem there are dozens, perhaps even a hundred craftsmen and women all round the world, who actually make a living from producing these exotic instruments. Leaving aside the mass-market for school recorders, which are factory-made, all these instruments are hand-made. There’s the long-necked lute called the theorbo, the huge extravagantly curved serpent, and many others. There’s the rebec, an ancestor of the violin, there’s the nakers, a pair of medieval drums, there’s the cornett, a curved wooden instrument played like a trumpet which gives a special soft glow to the splendours of 17 th-century Venetian music. But some are really rare beasts, known only to intrepid explorers in those far-off times. Sometimes you glimpse them in ‘normal’ music-making, for example when an opera house decides it’s time to revive a masterpiece by Monteverdi from the 17 th century, and lutes and harpsichords appear in the orchestra pit alongside familiar violins and oboes. Step into the distant past of classical music, and you’ll encounter a strange menagerie of fantastical instruments. Despite the apocalyptic landscape in which the characters live, they can plant acorns both metaphorically and literally in the “good ground” of their community and thereby find hope in a new, better way of life. Acorns are, after all, a type of seed, and the Biblical Parable of the Sower after which the book is named-and which is included in full at the very end of the narrative-focuses on the importance of planting seeds in “good ground” in order for those seeds to grow and flourish. This also links the community’s home base to the religious principles around which they have congregated: Earthseed. Fittingly, the new community decide to call their home “Acorn” as a tribute to this sense of new life in the midst of death and destruction. It means that small things can grow into big things, like a tiny acorn becoming a big oak tree. The acorn stands for strength, wisdom, and potential. They come from oak trees, which many cultures view as special. Acorns fall from grown trees and are planted in soil, feeding on the nutrients provided by dead plants in order to grow into new trees. The meaning of an acorn is often associated with strength, potential, and growth, and are seen as symbols of good luck. Again, this emphasizes the extent to which acorns symbolize the rebirth that is inherent within the natural world. Acorns are also important at the very end of the novel, when the group of people who settle on Bankole’s property decide to ritualistically plant oak trees using acorns as part of their mass funeral. This demonstrates Lauren’s father’s belief in innovatively creating (or recreating) new ways of living, a principle he passed onto his daughter. It is only later that Lauren’s father explains that they make and consume acorn bread because he read in a book that Native Americans used acorns in this manner. When Lauren is living with her family in the neighborhood, they regularly eat acorn bread. Acorns feature throughout the book as a symbol of new life, hope, and possibility. |
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